By Lucy
By Lucy
Banks are rarely the most culturally exciting or heartfelt brands on earth. But this latest campaign from Westpac proves that sometimes simple can be surprisingly impactful when it comes to changing perceptions.The campaign, created with BMF, turns the bank’s iconic red W into something more human: a “Double You.”
In other words, the W moves beyond just a logo and becomes a symbol of partnership.
The creative idea is straightforward but smart. Customers don’t want banks telling aspirational stories about beachfront houses and financial freedom. They want help getting through the messy middle: bills, admin, life logistics and cost-of-living pressure.
Westpac’s research found many Australians feel financial admin is draining their time and energy. At the same time, about half still feel optimistic about the next year.
The campaign leans into that in a way that feels less “you’ve got this” and more “we’ll help you get there.” It also reflects a broader trend in financial services marketing. The era of abstract brand promises is fading. Consumers now expect practical support and emotional realism.
If anything, the lesson here is simple: sometimes the strongest creative move is reframing an asset you already own. In this case, it was a letter.
Commerce media platform Criteo has become the first ad-tech partner to integrate with OpenAI as part of an advertising pilot inside ChatGPT.
The pilot, currently rolling out in the Free and Go versions of ChatGPT in the United States, is exploring how brands might appear inside conversational AI environments.
If you work in marketing, this is big news. Rival Anthropic had a dig at OpenAI, buying Super Bowl airtime to boast Claude will stay ad-free — ‘Ads are coming to AI. But not to Claude’ — arguing ads in private chats would feel ‘incongruous’ and inappropriate.
We touched on some related news recently when OpenAI announced its commerce partnership with Shopify, which will allow users to browse and purchase products directly inside ChatGPT. That move alone hinted that AI is starting to behave less like a search engine and more like a storefront.
Now advertising is starting to follow. Rival Anthropic had a dig at OpenAI, buying Super Bowl airtime to boast Claude will stay ad-free — ‘Ads are coming to AI. But not to Claude’ — arguing ads in private chats would feel ‘incongruous’ and inappropriate.”
Criteo says early data shows users referred from AI platforms convert around 1.5x higher than other referral channels. Which makes sense. When someone asks AI for recommendations, they’re likely already halfway down the buying funnel.
This is why the concept of agentic commerce keeps appearing in conversations about AI.
In plain terms, the journey is changing.
It used to look more like this:
Search → scroll through links → open a few tabs → eventually click something.
Now it’s starting to look more like this:
Ask → get recommendations → compare → buy.
Instead of digging through 10 Google results, people are just asking AI what to do. What does this mean for advertisers? We still don’t know exactly what ads inside ChatGPT will look like.
But one thing is clear: they can’t behave like old-school banner ads. If a brand shows up inside a conversation, it has to actually help and come across as a useful suggestion.
Get that balance right and it’s incredibly powerful.
Get it wrong and people will bail instantly.
Either way, media buying just wandered into the chat.
Some collaborations feel obvious. This one sounds like it could be the start of a joke: “Two laid-back American Rappers and an intense English Chef walk into a bar.”
The unlikely trio of Snoop Dogg, Dr Dre and Gordon Ramsay have launched a HexClad Cocktail Shaker, tying Ramsay’s cookware brand to Still G.I.N., the spirits label from Dre and Snoop. The product dropped in December 2025, but it recently caught our attention while researching brand strategy and partnership ideas.
On paper it sounds slightly ridiculous. But from a marketing perspective, we love this for brands.
When a category feels tapped out, or every campaign starts to look the same, an unexpected partnership can inject new life into the brand. It puts you in front of a different audience, reframes the product, and gives people something to talk about again.
But Snoop’s no idiot sandwich; he has practically made a career out of this strategy. From cooking shows with Martha Stewart to now cookware-adjacent barware, the man has made cultural crossovers an Olympic sport.
The campaign leans into the intersection of music, food and design, with a slick TV spot that cuts between studio sound desks, flames in the kitchen and vinyl spinning on a turntable.
Great collaborations don’t just combine audiences. They combine worlds, and the genius here is in the mix: Ramsay brings culinary credibility, Dre brings production precision, and Snoop brings cultural gravity.
And suddenly a cocktail shaker becomes something people actually want to talk about and buy.
If your LinkedIn reach suddenly looks strange lately, you’re not imagining it.
The platform’s new algorithm update, called 360Brew, has shifted how posts get distributed.
The key difference? LinkedIn now evaluates who you are as much as what you post.
Your Profile Headline, Experience and About section act like “context tags.” If your content doesn’t match your claimed expertise, distribution gets limited.
In simple terms: the platform is checking whether you actually know what you’re talking about.
Other changes are equally important.
Here’s what you need to know:
Dwell time also matters, meaning the algorithm tracks whether people actually stop and read.
The practical takeaway is that generic content that doesn’t relate to your field is becoming invisible.
The safest strategy now is writing from experience, not observation. Real lessons, frameworks and insights tend to drive the saves and thoughtful comments the algorithm rewards.
Brands have been flirting with entertainment for years. Now they’re starting to own it.
Heineken has released a short documentary titled “The Pub That Refused To Die.” The film tells the story of a small Irish village that collectively raised €300,000 to save their local pub.
The campaign sits under Heineken’s broader platform celebrating pub culture and social connection. But the interesting part is the format.
Instead of a 30-second ad, the brand produced a 10-minute documentary, premiered it at the Dublin International Film Festival, and is touring screenings across Ireland.
This taps into a bigger marketing shift: brands creating intellectual property rather than renting attention.
We have shared our love of branded documentaries before and why they’re so effective, with the likes of Drive to Survive prompting an increase in Formula 1 interest by as much as 30 percent.
The strategy works because it doesn’t feel like marketing. It feels like storytelling – because it is. And storytelling is still the most powerful media strategy on earth.
If story is good enough, people will watch voluntarily, and maybe even become loyal fans.
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Drop us a line here.